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Horton would prove to be Ailey's major influence, becoming a mentor and giving him both a technique and a foundation with which to grow artistically. Retrieved August 17, Jones has been called "one of the most notable, recognized modern-dance choreographers and directors of our time. From to , New York City Center was the first home of New York City Opera, which featured the works and talents of several notable gay composers and conductors. They moved to the New York area in late , settling in Rockland County, where they soon bought a house. Ailey insisted upon a complete theatrical experience, including costumes, lighting, and make-up. The ABT, however, insisted that the leading male role be danced by the only black man in the company, despite misgivings by Ailey and others about the dancer's talent.


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The following is a representative selection highlighting collaborations with or commissions from notable companies or artists. Archived from the original on October 3, On returning, Jones and Zane connected with dancer Lois Welk, who introduced them to contact improvisation, an emerging dance technique popularized by Steve Paxton that emphasizes intertwining partnering and shifts of weight and balance between partners. Croce called the piece "victim art" and observed: New York Live Arts. He had studied Romance languages at various universities in California, [7] but was restless, academically, and took courses as well in the writings of James Baldwin , Langston Hughes , and Carson McCullers [ citation needed ].


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Under her leadership, the school saw the beginning of its Bachelor of Fine Arts Program in partnership with Fordham University in Archived from the original on October 3, Joffrey was intent on creating a company with a modern American sensibility. Dances that Describe Themselves: A work of intense emotional appeal expressing the pain and anger of African Americans, Blues Suite was an instant success and defined Ailey's style. New York Live Arts. Ailey died of AIDS in


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